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George Pemba, by contrast, stayed at home in small-town South Africa (in the township of Motherwell near Port Elizabeth), living into his 90s and patiently continuing to paint despite the lack of public acclaim - although that arrived late in his life, when a new awareness of neglected black art brought artists such as Sekoto and Pemba to renewed prominence.
Pemba's often na[0xC3AF]vely styled work focused on the simple lives of poor black people, humbly and sometimes humorously evincing their fundamental humanity, though he also treated themes such as the story of the Xhosa prophetess Nongqawuse of the 19th century.
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